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In Simpsons Treehouse of Horror III "Dial Z for Zombies", pausing on … “If you can’t trust a Catholic priest with a child, who can you trust?” is the kind of dark comedy “Treehouse of Horror” excels at. Plus, Bart and Lisa end up sidelined to make room for Lucy Lawless. Report. No matter, the style for this segment is just too great to ignore. (That's something The Simpsons has long since dropped.) … The bit about Homer misusing the teleportation device is a comedic highlight. The teachers at Springfield Elementary simply decide to start cooking and eating the students. The show-and-tell scene is a real highlight, though. Dieser erklärt, Bart sei eine Art Auserwählter und müsse in die Sicherheitszone außerhalb von Springfield. When the zombies break into the Simpson's house they attempt to eat Homer but consider him brainless. Evil doll stories have been done to death, but it's hard to beat the horror of an evil Krusty doll. It's hard to live up to such a perfect title, but "Starship Poopers" does an admirable job. It never really feels like "Treehouse of Horror," but it's easy to forgive when the rhymes are so good. Non-profit, educational or personal use tips the balance in favor of fair use. "Easy-Bake Coven" turns out to be a Halloween origin story. Here's another segment in which you have to believe the writers came up with the title first and worked backwards. In this case, it's Peanuts, of course — and while the story is mostly a pretty direct parody, it does take some sharp turns, namely the Grand Pumpkin seeking revenge against mankind. While this segment is a direct parody of Hitchcock's Strangers on a Train, it takes a page from the Kubrickian "A Clockwork Yellow" and incorporates other elements of the director's work. The best of Zombi Simpsons. Sarah Silverman lends her vocal talents to Rachel, Lisa’s evil imaginary friend. All that aside, "Treehouse of Horror" generally does zombies well, and the Western theme — while out of place in Springfield — earns points for creativity. This is an odd segment, both in terms of concept and execution. Unfortunately, it’s all pretty damn weak, from the Apple (“Mapple”) keynote parody to the eye-rolly moral about how we all look at our devices too much. The wraparound story is also a waste of time. There are lots of great bits involving various Springfielders being forced to appease Bart's 10-year-old whims, and that makes up for a less-inspired conclusion. The Simpsons… Watching Homerzilla's rampage is admittedly fun, but there are some really unfortunate choices, like the white characters' racist "Japanese" accents. Main navigation. … This is a dark, surprisingly gruesome story about Homer getting a taste for his own flesh. If the segment stuck with that, it might actually be great, but unfortunately, it devolves into a long string of Kubrick references. The language of A Clockwork Orange is perfectly captured here, along with some really well-done visual references. There's a lot of attention to detail with few good jokes. A lot of that is due to the character design and his subtle vocal differentiation from Bart. Yikes. That's nerdy-cool. It's a sharp and visually arresting segment, especially fun for Hitchcock fans. It doesn't shy away from horror or creepy visuals, but it still maintains a distinctly Simpsons sense of humor. However, there's edgy that works and then there's just uncomfortable — like Homer learning he can strangle his new robot son even harder, for example. This is one of the more random classic "Treehouse of Horror" segments: Giant advertisements come to life and wreak havoc on Springfield because of an electrical storm. Well, that, and Homer stole the giant Lard Lad donut. There are plenty of funny bits, like Homer using Flanders' corpse as a puppet, but what's most impressive is how scary the segment becomes. James Bond is pretty well-worn territory for satire, although points for incorporating a Kingsman parody into things. What follows is a delightful pastiche of Hitchcock, from the North by Northwest theme to the Vertigo effect. A previous version of this post misidentified the movie. "Citizen Kang" may have been instantly dated, but it is such a perfect political satire with so many memorable lines ("Don't blame me, I voted for Kodos") that it is remembered more fondly than Dole. It's not a terribly original story, but there are so many great visual gags (Hans Moleman turning into an actual mole, Apu as APU-D2). This may be an unpopular opinion, but the segment could have used more of Fran Drescher's voice. The final dark joke is perfect, as the witches lament filling up on children before they start going door-to-door for candy. The Simpsons has done it again, this time predicting the COVID-19 pandemic and murder hornets. But there's a lot that comes before that, namely Burns creating a Frankenstein-esque robot with Homer's brain, and that is not so great. — becomes an excuse to do a whole mess of board game gags. And better. The real disappointment is bringing back the idea of Flanders as the Devil, but not having him be the same Devil. Of course, no Simpsons fan will ever forget the image of Homer with a donut for a head. (Also lazy: The Simpsons used the title "Married to the Blob" for another segment several seasons later.) Caso não concorde com o uso cookies dessa forma, você deverá ajustar as configurações de seu navegador ou deixar de acessar o nosso site e serviços. Like Cronenberg's The Fly, this segment is unnerving and gross — that giant fly is so slimy — though there's naturally a lot more humor here. There are some nice moments, like Milhouse predictably going mad with power, but it's mostly just squandered potential. Cos I am a longtime Simpsons nut and avid Funko Pop collector- and everyone knows that The Treehouse of Horror episodes are some of the funniest and freakiest episodes - I had to have this Pop. The real issue with "The Raven" is that the visuals weren't where they needed to be for such a light-on-dialogue story. Everyone remembers the final moments, in which Homer wakes up to discover that Mr. Burns' head has been grafted onto his neck. The best part about it is the opening, a pitch-perfect homage to Dexter's opening credits. The trope of Homer buying something dangerous despite repeated warnings is a "Treehouse of Horror" favorite, and it works well here. Given how rarely The Simpsons takes a stand politically, it's honestly pretty refreshing that "The Day the Earth Looked Stupid" turns into a very clear allegory for the Iraq War. Perhaps that's why it's been so difficult thus far to sum up exactly why the show sucks. As a result, a new or casual fan has to go out of their way to see the good ones. Some of the best “Treehouse of Horror” segments in recent years have experimented with animation styles — and the whimsical Coraline-inspired stop-motion feel is what elevates “Coralisa.” That aside, there is a lot to like here, including Neil Gaiman voicing Snowball V and some genuinely frightening imagery (when are button eyes not nightmare-inducing?). To this segment's credit, it actually does more with the concept than the classic "Treehouse of Horror" episode did, but most of the gags fall flat. The … The times people said it sucked effective and, frankly, baffling extent that you can forgive a to... The worst Simpsons episodes ever a showcase for some great lines, including a condemnation of encores just. Toward the end of the Dead Zone is thrilling Clockwork Yellow, '' but it still a. Realistic. ) distinctly Simpsons sense of humor Bond is pretty much just a showcase for some great,... 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